Twenty years behind a camera, most of it in rooms where the work had to be perfect and nobody cared how — editorial work, shot for some of the industry's most exacting names, where there's no room for a bad frame and no explanation if you deliver one. Stillhouse is what happens when that same eye has nowhere left to answer to. No brief. No client. No place named. Just the frame, and what it takes to get it right.
2/2
Layered rock and shadow, folded and re-folded. Time reads differently from up here.
Stillhouse prints are made only when asked for. No place is named, no story explained.
Nikon D810, 85mm
Sandun De Silva
Printed as a giclée on fine art paper, using a twelve-colour process for real tonal depth rather than a four-colour approximation. Matte, glare-free finish. 200gsm stock, 0.26mm thick, FSC-certified.
Unframed: the print itself, ready to frame.
Framed: solid black pine, 20–25mm thick, 10–14mm wide, held behind shatterproof glazing, hanging hardware fitted, ready to hang.
Made only once ordered — nothing is kept in stock.
Nikon D810, 85mm
Run 1, Edition 2/50
Sandun De Silva
Stone ramparts fold toward a frozen sea. Still standing, still quiet.
Stillhouse prints are made only when asked for. No place is named, no story explained.
Nikon Z7, 35mm
Sandun De Silva
Printed as a giclée on fine art paper, using a twelve-colour process for real tonal depth rather than a four-colour approximation. Matte, glare-free finish. 200gsm stock, 0.26mm thick, FSC-certified.
Unframed: the print itself, ready to frame.
Framed: solid black pine, 20–25mm thick, 10–14mm wide, held behind shatterproof glazing, hanging hardware fitted, ready to hang.
Made only once ordered — nothing is kept in stock.
Nikon Z7, 28mm
Run 1, Edition 1/50
Sandun De Silva
A wheel dissolves into fog. Light finds the water first.
Stillhouse prints are made only when asked for. No place is named, no story explained.
Nikon Z7, 28mm
Sandun De Silva
Printed as a giclée on fine art paper, using a twelve-colour process for real tonal depth rather than a four-colour approximation. Matte, glare-free finish. 200gsm stock, 0.26mm thick, FSC-certified.
Unframed: the print itself, ready to frame.
Framed: solid black pine, 20–25mm thick, 10–14mm wide, held behind shatterproof glazing, hanging hardware fitted, ready to hang.
Made only once ordered — nothing is kept in stock.
Nikon Z7, 35mm
Run 1, Edition 3/50
Sandun De Silva
Ribbed stone, carved saints, a door bound in iron and centuries.
Stillhouse prints are made only when asked for. No place is named, no story explained.
Nikon D810, 35mm
Sandun De Silva
Printed as a giclée on fine art paper, using a twelve-colour process for real tonal depth rather than a four-colour approximation. Matte, glare-free finish. 200gsm stock, 0.26mm thick, FSC-certified.
Unframed: the print itself, ready to frame.
Framed: solid black pine, 20–25mm thick, 10–14mm wide, held behind shatterproof glazing, hanging hardware fitted, ready to hang.
Made only once ordered — nothing is kept in stock.
Nikon D810, 35mm
Run 1, Edition 2/50
Sandun De Silva
All red. Nothing else gets through.
Stillhouse prints are made only when asked for. No place is named, no story explained.
Nikon D810, 105mm
Sandun De Silva
Printed as a giclée on fine art paper, using a twelve-colour process for real tonal depth rather than a four-colour approximation. Matte, glare-free finish. 200gsm stock, 0.26mm thick, FSC-certified.
Unframed: the print itself, ready to frame.
Framed: solid black pine, 20–25mm thick, 10–14mm wide, held behind shatterproof glazing, hanging hardware fitted, ready to hang.
Made only once ordered — nothing is kept in stock.
Nikon D810, 105mm
Run 1, Edition 2/50
Sandun De Silva
Every direction covered.
Stillhouse prints are made only when asked for. No place is named, no story explained.
Nikon Z7, 59mm
Sandun De Silva
Printed as a giclée on fine art paper, using a twelve-colour process for real tonal depth rather than a four-colour approximation. Matte, glare-free finish. 200gsm stock, 0.26mm thick, FSC-certified.
Unframed: the print itself, ready to frame.
Framed: solid black pine, 20–25mm thick, 10–14mm wide, held behind shatterproof glazing, hanging hardware fitted, ready to hang.
Made only once ordered — nothing is kept in stock.
Nikon Z7, 24mm
Run 1, Edition 4/80
Sandun De Silva
The road walked, and the one that isn't.
tillhouse prints are made only when asked for. No place is named, no story explained.
Nikon Z7, 24mm
Sandun De Silva
Printed as a giclée on fine art paper, using a twelve-colour process for real tonal depth rather than a four-colour approximation. Matte, glare-free finish. 200gsm stock, 0.26mm thick, FSC-certified.
Unframed: the print itself, ready to frame.
Framed: solid black pine, 20–25mm thick, 10–14mm wide, held behind shatterproof glazing, hanging hardware fitted, ready to hang.
Made only once ordered — nothing is kept in stock.
Nikon Z7, 24mm
Run 1, Edition 2/80
Sandun De Silva
Nothing holds still. Something always does.
Stillhouse prints are made only when asked for. No place is named, no story explained.
Nikon Z7, 24mm
Sandun De Silva
Printed as a giclée on fine art paper, using a twelve-colour process for real tonal depth rather than a four-colour approximation. Matte, glare-free finish. 200gsm stock, 0.26mm thick, FSC-certified.
Unframed: the print itself, ready to frame.
Framed: solid black pine, 20–25mm thick, 10–14mm wide, held behind shatterproof glazing, hanging hardware fitted, ready to hang.
Made only once ordered — nothing is kept in stock.
Nikon Z7, 59mm
Run 1, Edition 11/80
Sandun De Silva
Familiar. Unfamiliar.
Stillhouse prints are made only when asked for. No place is named, no story explained.
Nikon D800E, 50mm
Sandun De Silva
Printed as a giclée on fine art paper, using a twelve-colour process for real tonal depth rather than a four-colour approximation. Matte, glare-free finish. 200gsm stock, 0.26mm thick, FSC-certified.
Unframed: the print itself, ready to frame.
Framed: solid black pine, 20–25mm thick, 10–14mm wide, held behind shatterproof glazing, hanging hardware fitted, ready to hang.
Made only once ordered — nothing is kept in stock.
Nikon D800E, 50mm
Run 1, Edition 2/50
Sandun De Silva
Shhh.
Stillhouse prints are made only when asked for. No place is named, no story explained.
Nikon Z7, 54mm
Sandun De Silva
Printed as a giclée on fine art paper, using a twelve-colour process for real tonal depth rather than a four-colour approximation. Matte, glare-free finish. 200gsm stock, 0.26mm thick, FSC-certified.
Unframed: the print itself, ready to frame.
Framed: solid black pine, 20–25mm thick, 10–14mm wide, held behind shatterproof glazing, hanging hardware fitted, ready to hang.
Made only once ordered — nothing is kept in stock.
Nikon Z7, 46mm
Run 1, Edition 2/50
Sandun De Silva
Look up.
Stillhouse prints are made only when asked for. No place is named, no story explained.
Nikon Z7, 46mm
Sandun De Silva
Printed as a giclée on fine art paper, using a twelve-colour process for real tonal depth rather than a four-colour approximation. Matte, glare-free finish. 200gsm stock, 0.26mm thick, FSC-certified.
Unframed: the print itself, ready to frame.
Framed: solid black pine, 20–25mm thick, 10–14mm wide, held behind shatterproof glazing, hanging hardware fitted, ready to hang.
Made only once ordered — nothing is kept in stock.
Nikon Z7, 54mm
Run 1, Edition 1/50
Sandun De Silva
Never felt as calm as it looks.
Stillhouse prints are made only when asked for. No place is named, no story explained.
Nikon Z7, 24mm
Sandun De Silva
Printed as a giclée on fine art paper, using a twelve-colour process for real tonal depth rather than a four-colour approximation. Matte, glare-free finish. 200gsm stock, 0.26mm thick, FSC-certified.
Unframed: the print itself, ready to frame.
Framed: solid black pine, 20–25mm thick, 10–14mm wide, held behind shatterproof glazing, hanging hardware fitted, ready to hang.
Made only once ordered — nothing is kept in stock.
Nikon D810, 50mm
Run 1, Edition 3/50
Sandun De Silva
Morning cruise.
Stillhouse prints are made only when asked for. No place is named, no story explained.
Nikon D810, 50mm
Sandun De Silva
Printed as a giclée on fine art paper, using a twelve-colour process for real tonal depth rather than a four-colour approximation. Matte, glare-free finish. 200gsm stock, 0.26mm thick, FSC-certified.
Unframed: the print itself, ready to frame.
Framed: solid black pine, 20–25mm thick, 10–14mm wide, held behind shatterproof glazing, hanging hardware fitted, ready to hang.
Made only once ordered — nothing is kept in stock.
Nikon Z7, 24mm
Run 1, Edition 1/50
Sandun De Silva
Lone travel, through a busy night.
Stillhouse prints are made only when asked for. No place is named, no story explained.
Nikon Z7, 24mm
Sandun De Silva
Printed as a giclée on fine art paper, using a twelve-colour process for real tonal depth rather than a four-colour approximation. Matte, glare-free finish. 200gsm stock, 0.26mm thick, FSC-certified.
Unframed: the print itself, ready to frame.
Framed: solid black pine, 20–25mm thick, 10–14mm wide, held behind shatterproof glazing, hanging hardware fitted, ready to hang.
Made only once ordered — nothing is kept in stock.
Nikon Z7, 24mm
Run 1, Edition 3/50
Sandun De Silva
Not on any map.
Stillhouse prints are made only when asked for. No place is named, no story explained.
Nikon D800E, 50mm
Sandun De Silva
Printed as a giclée on fine art paper, using a twelve-colour process for real tonal depth rather than a four-colour approximation. Matte, glare-free finish. 200gsm stock, 0.26mm thick, FSC-certified.
Unframed: the print itself, ready to frame.
Framed: solid black pine, 20–25mm thick, 10–14mm wide, held behind shatterproof glazing, hanging hardware fitted, ready to hang.
Made only once ordered — nothing is kept in stock.
Nikon Z7, 85mm
Run 1, Edition 2/50
Sandun De Silva
Two shades, same mountain.
Stillhouse prints are made only when asked for. No place is named, no story explained.
Nikon D810, 85mm
Sandun De Silva
Printed as a giclée on fine art paper, using a twelve-colour process for real tonal depth rather than a four-colour approximation. Matte, glare-free finish. 200gsm stock, 0.26mm thick, FSC-certified.
Unframed: the print itself, ready to frame.
Framed: solid black pine, 20–25mm thick, 10–14mm wide, held behind shatterproof glazing, hanging hardware fitted, ready to hang.
Made only once ordered — nothing is kept in stock.
Nikon D800E, 50mm
Run 1, Edition 3/50
Sandun De Silva
The beast lurks.
Stillhouse prints are made only when asked for. No place is named, no story explained.
Nikon D800E, 14mm
Sandun De Silva
Printed as a giclée on fine art paper, using a twelve-colour process for real tonal depth rather than a four-colour approximation. Matte, glare-free finish. 200gsm stock, 0.26mm thick, FSC-certified.
Unframed: the print itself, ready to frame.
Framed: solid black pine, 20–25mm thick, 10–14mm wide, held behind shatterproof glazing, hanging hardware fitted, ready to hang.
Made only once ordered — nothing is kept in stock.
Nikon D800E, 14mm
Run 1, Edition 6/50
Sandun De Silva