Twenty years behind a camera, most of it in rooms where the work had to be perfect and nobody cared how — editorial work, shot for some of the industry's most exacting names, where there's no room for a bad frame and no explanation if you deliver one. Stillhouse is what happens when that same eye has nowhere left to answer to. No brief. No client. No place named. Just the frame, and what it takes to get it right.

1/2